John Moores Liverpool University

Drawing inspiration from Raimund Hoghe’s intimate knowledge of the innate storytelling ability of creative bodies, eight PhD candidates invite the audience to immerse themselves in shared moments of presence, where language, movement, image, collaboration, and sound unfold in harmony and where artworks transcend mere visual representation to challenge conventional narratives.

Come and witness how textiles act as vessels, preserving memories and reflections. Experience how emotions connected to nature intertwine with the liberating power of language guiding us back to the landscapes of our past. Reflect on prevailing gender and colour narratives, delving into the profound impact of colour theories on artistic expression and identity. Through the art of mending, contemplate pieces that shed light on how survivors can redefine and empower wounded maternal lineages and witness how co-minglings with the non-human can disrupt normative perceptions of affliction, gender, and identity to foster inclusivity and authenticity. Engage with mundane tasks and vessels elevated to sacred experiences through mindful ritual; connect with space, time, history, and memories through the felt body, embracing uncertainty as an integral facet of the human experience at the intersection of trauma studies, somatic practices, and contemporary choreography.

Karen, Gina, Marie France, Anne Sophie, Nancy, Carrie, Erin, and Eve invite you to embark on this journey through embodied narratives, where art serves as a conduit for delving into the intricacies of our shared humanity